Am I making it worse? I think I'm making it worse.
Everyone's favorite lethal SecUnit is back.
Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize.
But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast!
Just finished the newest book in the murderbot series and it was awesome. Picking up where the last book left off it explores relationships with "lost" human colonies, and working to translate the cultural and social consequences of being reconnected to the corporate rim world's and the corporations and capitalism space feudal logics that entails. Really like this one alot, recommend it for anyone already in the series but hasn't picked it up yet.
Murderbot just has near infinite potential as a character. It's multiprocessing nature makes the stories complex but so rich, I feel like starting the whole series again now to pick up the bits I missed.
I continue to love the Murderbot series. By this point, the action parts have lost impact because there's too much precedent for how they're going to turn out, so I think it's wise of Wells to play that part down a bit in this book, in favour of a story more about persuasion and trust building. And the ongoing saga of Murderbot learning about both its limits and capabilities continues to be one of the most relatable arcs in SF/F.
Content warning
Maybe a little bit of a spoiler ahead but probably not much. Nothing to ruin the plot anyways,
Once again, Martha Wells spins out a fun Muderbot tale.
I've enjoyed the journey that Wells has taken us on in regards to Murderbot's progress to more "humanity."
In many ways, Murderbot is often the most humane of characters in these stories as it is always putting itself in danger before the "real" humans.
I enjoyed that as these books have progressed, SecUnit has had to become more human for survival, but also apparently for it's own self improvement. As it ran out of more and more drones in this story, it even commented on how being a human must be terrible.
I'm always impressed with Wells' ability to put the reader into the shoes of something that is inherently not human, but yet still shows us a better side of humanity.
I deeply enjoyed System Collapse--it was a nice followup book to the events of the previous one and I don't think could stand alone. Murderbot has certainly been through a lot, but the last book was particularly intense and it makes sense that there's lasting effects from it. It felt like a smaller and more internally-focused book with less snark and more trama, but I am here for that.
To me at least, Murderbot and its series feels like the embodiment of vulnerability avoidance: handwaving, the first few books seemed like Murderbot coping with learning it cared and people caring about it; Network Effect was about """relationships"" (with ART and 2 and 3); this book in particular explored the vulnerability of trauma and being partially human (or at the very least having some fleshy parts). I think it helps to better situate Murderbot as a construct--not a bot, not human, …
I deeply enjoyed System Collapse--it was a nice followup book to the events of the previous one and I don't think could stand alone. Murderbot has certainly been through a lot, but the last book was particularly intense and it makes sense that there's lasting effects from it. It felt like a smaller and more internally-focused book with less snark and more trama, but I am here for that.
To me at least, Murderbot and its series feels like the embodiment of vulnerability avoidance: handwaving, the first few books seemed like Murderbot coping with learning it cared and people caring about it; Network Effect was about """relationships"" (with ART and 2 and 3); this book in particular explored the vulnerability of trauma and being partially human (or at the very least having some fleshy parts). I think it helps to better situate Murderbot as a construct--not a bot, not human, but somewhere in between with the problems of both.
On the surface, this certainly looks like a shift in Murderbot's competence. (It's certainly a shift in its self-perceived competence; Murderbot both seemingly does a good job while also beating itself up for not being perfect; it's hard to see past the narrative bias.)
Previous Murderbot dealt with situations and humans out of its control (still does but used to too), but in this book there's an extra struggle of coping with its own [redacted]. Given that it has people around it that care, it also has to deal with the shame of these people covering for it too. Dr. Mensah dealing with her own trauma during the last book felt like a nice foreshadowing here for what Murderbot is going through here.
Bonus joy moments:
* the documentary!
* ART being a jerk to both Iris and Murderbot
* ART and Holism butting heads
An enjoyable episode in the Murderbot Diaries, this one continues from where "Network Effect" left off, with a colony left on a world contaminated with alien material that can infect both humans and AI and constructs. In the book, Murderbot and its friends continue to talk to the colonists, hoping to convince them that life with the corporation that is coming to claim their planet is not good (think bonded slavery). Then they learn that there was another colony established and now their job just got twice as tough (or harder).
As if this wasn't enough, Murderbot is suffering from a personal "redacted" problem that is affecting his efficiency. It is only later in this story that the nature of the "redacted" problem becomes clear, and it is something that can also affect humans, which makes Murderbot feel more human (ugh).
The first half of the book is more about …
An enjoyable episode in the Murderbot Diaries, this one continues from where "Network Effect" left off, with a colony left on a world contaminated with alien material that can infect both humans and AI and constructs. In the book, Murderbot and its friends continue to talk to the colonists, hoping to convince them that life with the corporation that is coming to claim their planet is not good (think bonded slavery). Then they learn that there was another colony established and now their job just got twice as tough (or harder).
As if this wasn't enough, Murderbot is suffering from a personal "redacted" problem that is affecting his efficiency. It is only later in this story that the nature of the "redacted" problem becomes clear, and it is something that can also affect humans, which makes Murderbot feel more human (ugh).
The first half of the book is more about subterfuge, as the team try to make contact with the other group of colonists without alerting the corporation. But it may be all for nothing, when the corporation misleads the colonist over what Murderbot's group wants to do. Now, Murderbot reveals what "redacted" is, how it is affecting him and also what he and the group must do to win back the colonist. This, of course, leads to a pitched battle that Murderbot must fight in its own way to win.
Murderbot has also learned that in some ways, it is like the humans he wants to protect. And by the end, who knows where Murderbot and its best friend, ART, will now end up doing.
This was a delight, as is usual with Murderbot. I enjoyed the treatment of trauma recovery as a confusion of "why can't I just keep using my old coping mechanisms" "what the actual fuck is my brain doing, this is not helpful" "if you do not schedule time for maintenance, your systems will schedule it for you, and their timing will be antagonistic".
Noticeably less snappy than the earlier books though -- it was easy to lose focus in descriptive stretches, and I wound up reading it twice to see if I could catch the things I missed the first time around.
This will probably be the unpopular minority opinion, but here goes...
This book was still enjoyable, but the first half was extremely slow. It picked up once we got into the action, but it was somewhat more subtle this time around. There is nothing wrong with the book, but it feels like Wells thinks she needs to do more to evolve this character, but doesn't really know what, so we just get tiny bits.
