Equal Rites

I think it’s on the opposite side of the spectrum from Clarke’s “Piranesi” — and I like Pratchett’s viewpoint more: Clarke’s magic is desired and unreachable for those who seek it, so it’s a character of its own; Pratchett’s Esk postulates that not using magic when it’s there in your hands can be more important than using it, and that’s goes further than just admitting of its agency, it adds a very important nuance: whose agency is more of the liability to the living.

More literally Pratchett’s ecology is delivered in passages about Borrowing and things’ names and minds (Granny’s goats, and rocks of the University), but magic is the ultimate example of goals and means being one thing.

I always adore stories of this nature, particularly because I love to see the kinds of journeys that take place among the characters and how that develops them.

While I know Esk was meant to be the primary main character, Granny Weatherwax really takes on a whole chunk of the story. She's someone with whom I very much find myself identifying, and it's because of the constant "Well, it's got to happen one way or the other, so we may as well do it" personality she exudes. She's very stubborn but incredibly caring for the people around her, even if it seems otherwise.

Also, she has a thing for old fabric.